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itch

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itch is an evolving art project qua artist forum cum journal/zine published two times a year.

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itch, meg wolfe, dance, journal, show box, anatomy riot

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		dance	0 (0%)
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2 words	:	50% (3/6)
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angeles art artist body box choreographer community contributors culture dance dialogue fiction forms hellip issue itch journal ldquo life living mdash movement paggett performance political practice public rdquo responses rsquo space submissions submit support taisha thoughts time turn wolfe work

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submissions	24	0.46%
issue	23	0.44%
work	21	0.41%
wolfe	20	0.39%
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angeles	18	0.35%
space	18	0.35%
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performance	18	0.35%
ldquo	17	0.33%
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public	16	0.31%
fiction	16	0.31%

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<H1>	<H2>	<H3>	<H4>	<H5>	<H6>	<B>	<U>	<I>	<EM>	<STRONG>	Total
0	15	15	1	0	0	2	0	3	0	0	36

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<H2> (15)	#15: ow-ow-ow-howl.over the edge Mouth is alive, with juices like wine - Duran Duran itch #14The brakes.The breaks. A COMPILATION OF TIME/BODY/SPACETRANSGRESSIONS itch #13A COLORING BOOK OF EXPULSIONS FOR EMBRACING RADICAL VIBRATIONS itch #12Com(petition) The Big Throw Down itch #11you. are. here. itch #10MANIFESTO itch #09Before/After:a small book of predictions,outcomes,and paradigm shifts itch #08Pornocracy* itch #07B A L A N C E and the phenomena of 7 itch #06The (un)raveling of Dance’s Public Discourse or we*experts itch #05fiction and fictions itch #04EVIDENCE itch #03(st)itch systems of support itch #02 Space... The where of dance itch #01Place / Community
<H3> (15)	CONTRIBUTORS Rebecca Alson-Milkman damali ayo Ellen Chenoweth Abby Crain & David Buuck Miguel Gutierrez Ari Hoffmann Carole Kim Ian MacKinnon & Greg Barnett Sara Shelton Mann & Meg Wolfe Carol McDowell Tyler Matthew Oyer taisha paggett Rebecca Pappas Naomi Elena Ramirez Anna Martine Whitehead Molly Shanahan & taisha paggett Meg Wolfe Allison Wyper DESIGN Joanna Rosso Tanya Rubbak CONTRIBUTORS Taisha Paggett Mikal Czech Hana Van Der Kolk Luq Julie Tolentino Olive Mckeon M. Fielder Alison D’amato Rosie Trump Sue Roginski Christy Funsch Vanessa Dewolf Julie Mayo Stephanie Skura Diamondback Annie Marcela Fuentes J. Dellecave D. Sherwood Kate Mattingly & Macklin Kowal Stacy Dawson Stearns Sarah Day Sara Wolf Sara Wookey Maya Maverik DESIGN Tanya Rubbak CONTRIBUTORS C.O. Moed Gregory Barnett Arianne MacBean Elizabeth Leister CA Conrad Laura Fuller Angela Drown Amy Campion Kate Bergstrom Melinda Buckwalter Pat Wheeler Jon Macy DESIGN Tanya Rubbak CONTRIBUTORS Meg Wolfe Alexis A Weisbrod Barbara Dilley Eric Kupers Tim Devin Victoria Marks Cheryl Banks-Smith Ben Hersh & Katharine Hawthorne Laura Fuller Arianne Hoffmann Keely Garfield Ashley Hunt Lailye Weidman Esteban Cárdenas Greg Barnett Paige Tighe L. Martina Young DESIGN Tanya Rubbak CONTRIBUTORS Julie Tolentino Megan Daalder Leonardo Melchor Tania Hammidi Adam Overton Lilian Wu Lionel Popkin Jacki Apple J. Lorenzo Perillo Mira Kingsley Meg Wolfe Arianne Hoffmann Victoria Marks Elizabeth Terschuur DESIGN Ashley Hunt CONTRIBUTORS Wu Ingrid Tsang/Imprenta Taisha Ciara Paggett d.Sabela grimes Clarinda Mac Low Adam Overton Mira Kingsley Stanley Love interview w/Yvonne Rainer Meg Wolfe Mathew Sandoval Gesel Mason Hana van der Kolk plus: Know your manifesto quiz DESIGN Ashley Hunt CONTRIBUTORS Eva Yaa Asantewaa Victoria Marks Allison Wyper Hilary Bryan Gregory Barnett Esther Baker-Tarpaga Anna B. Scott Marcela Fuentes Ryutaro Mishima Jonah Bokaer Laura Fuller Tim Devin running dialogue: before/aftermath DESIGN Wendell Pascual CONTRIBUTORS Doran George Simone Forti Jordana Toback Eric Kupers Jeremy Hahn Keith Hennessy Flora Wiegmann Angeline Shaka Ashley Hunt Young Chung Taisha Paggett Dirty Martini Julie Tolentino Greg Barnett Sara Wookey Joel Smith Meg Wolfe Karen Bernard Eva Yaa Asantewaa Maria Francesca Scaroni & Jess Curtis Tania Hammidi Sara Wolf DESIGN Wendell Pascual CONTRIBUTORS George Lugg (letter to readers) Anna B. Scott Mikki del Monico CAConrad Pat Wheeler Taisha Paggett and the Pandiculator Greg Barnett Shel Wagner-Rasch Keely Garfield Mira Kingsley Sarah East Johnson Meg Wolfe and: Taisha Paggett, Natalia Valerdi, Sara Wolf, and Meg Wolfe in dialogue, including Laura Bleiberg and Michelle Mierz. DESIGN Ashley Hunt CONTRIBUTORS Rae Shaolan Blum Jonah Bokaer Tania Hammidi Ari Hoffmann Ana Isabel Keilson Mira Kingsley Arianne MacBean with Lewis Segal Taisha Paggett with Wendy Perron Yvonne Rainer Annie Tucker Meg Wolfe DESIGN Ashley Hunt CONTRIBUTORS Simone Forti Greg Barnett Laura Fuller Shane Anderson Meg Wolfe Patricia Wheeler Keith Hennessy Rebecca Leib Jeremy Hahn Sarah Leddy Mikki Del Monico Taisha Paggett DESIGN Eileen Levinson CONTRIBUTORS Simone Forti Cynthia Lee Hana van der Kolk Jeremy Hahn Elizabeth Wade Laura Fuller Terence Luke Johnson Lailye Weidman Meg Wolfe Rae Shao-Lan Blum Rebecca Alson-Milkman Taisha Paggett/Ozimandus Ishmael Houston-Jones DESIGN Eileen Levinson CONTRIBUTORS Rebecca Alson-Milkman Rae Shao-Lan Blum Nathalie Broizat Esteban Cardenas Rachel Colon Keith Glassman Jamm Leary/AUNTS Jill Sigman Kristen Smiarowski Meg Wolfe CONTRIBUTORS Faye Lim Rae Shao-Lan Blum Erica Rebollar Taisha Paggett Jasmine Albuquerque Amy Campion Rebecca Alson-Milkman also with Margit Edwards,Kate Foley, Jeremy Hale, Victoria Marks, Meg Wolfe and Ally Voye CONTRIBUTORS Faye Lim Rogelio Lopez Simone Forti Yvonne Rainer Maria Gillespie Esther Baker-Tarpaga Cynthia Lee Amy Campion Arianne MacBean Rae Shao-Lan Blum anonymous
<H4> (1)	itch O R A C L E! var Quotation=new Array() Quotation[0] = "It was a transitory community, very much like the city it was a part of."; Quotation[1] = "The rioters has long suspected that physicians had been robbing the private graves of the city in order to obtain subjects for dissection."; Quotation[2] = "My father and I were friends. We talked about stuff, and I once asked him why he didn’t do some writing."; Quotation[3] = "I WANT MORE ACCESS TO GOOD VENUES WITH GOOD LIGHTS AND A BIG SPACE..."; Quotation[4] = "Getting in the car again just doesn't hack it, even for dance. But now I'm betraying my age."; Quotation[5] = "What's not missing in Los Angeles is virtuosic movement, I've seen enough."; Quotation[6] = "Next question. What is my responsibility to what is true right now? and now? and now? Next question. What are my options?."; Quotation[7] = "PUTTING MY BGIRL FRIEND IN TOUCH WITH MY CLOTHING DESIGNER FRIEND SO SHE CAN GET A JOB..."; Quotation[8] = "Perhaps this feels unfortunate. But perhaps this keeps things shifting and gives us room for change."; Quotation[9] = "How can we create opportunities for making connections where mutual recognition can occur without adding more to our already full plates?"; Quotation[10] = "Labels will just scare them away as they scare me."; Quotation[11] = "At that point I thought, what the hell do I want a concert stage for anyway?"; Quotation[12] = "I love dancing at clubs when they have the right music. I don't always know what the right music is. When it's on, it's on."; Quotation[13] = "And a camera, a one-eyed witness who feeds my every move through imaginary circuits in cyberspace to an imaginary gallery a few thousand miles away... people may or may not be watching."; Quotation[14] = "The limitations of dance start with the skin. That is the first boundary, fingertip to fingertip."; Quotation[15] = "time space and the price of gas conspire against us."; Quotation[16] = "The lengths we go to get SOMEWHERE and how much supposed “nowhere” we pass by in that effort."; Quotation[17] = "A 'dance space' can be a closet if someone is able to dance within its confines, a 'performance space' could be a kitchen floor at a party if there's room for a bboy to throw down some footwork while still saving some space in the corner for two or three 'audience' members."; Quotation[18] = "The audience understands limitations and forgives, so I dance in and around them!"; Quotation[19] = "Perhaps a caravan that transports from one site to the next. There can even be work crafted into the driving, i.e. the soundtrack played on the ride, a text read by someone in the back seat, a drive-by performance of a parking-lot dance. It could also be done Critical Mass style- a la bicycletas."; Quotation[20] = "No announcements, no flyers, just show up and play."; Quotation[21] = "I seek. I seek. I seek. I seek. I seek. I seek. I seek. I seek. (this one is really something to behold)"; Quotation[22] = "What matters is only what—the work should be simple, or clever, or something that clicks. Something giant."; Quotation[23] = "To keep bringing attention back to our bodies, back to our connection to each other, to this planet we are a part of. The natural elements that nurture us. Mutual respect, engagement, listening, attempting, collaborating, witnessing."; Quotation[24] = "We start with need. What movement conveys need? What movement conveys love? Most of the time what I do with my time is watch bad performance."; Quotation[25] = "......yes!, and no, and yes y sí! Thinking, or giving over the responsibility to someone else—a person, people, the government... doesn’t make sense since we are all we need!"; Quotation[26] = "We need to find/found our own place within the vast expanse of LA's sprawl."; Quotation[27] = "You can work in a little newly created company doing avant-garde work and still gain professional status. I won’t talk about the inconvenience, but are you following what I am saying?"; Quotation[28] = "I touched the ground differently, got close to it, and began to recognize the nuances in texture and color."; Quotation[29] = "I like the idea of taking the theater out of the theater, but I’m conflicted by the challenge of the non- controlled nature of nature. More often than not, to me, real life is more interesting than its representation."; Quotation[30] = "You can work in a little newly created company doing avant-garde work and still gain professional status. I won’t talk about the inconvenience, but are you following what I am saying?"; Quotation[31] = "She writes that the first time she taught, she hadn’t planned on a topic and said the first thing that came to her mind: Elbow'. And was surprised that everyone just got to work."; Quotation[32] = "he said: 'how long you been black?' i said: 'umm, 30 years at least.'"; Quotation[33] = "We seem strikingly incapable of addressing the disaster itself without the artifacts it left behind."; Quotation[34] = "...looking at the damage that was done during a really beautiful performance and I wouldn't have it any other way."; Quotation[35] = "What am I doing? Is this allowed? Am I pretending? Am I stealing?"; Quotation[36] = "When people were getting sick, I kept on losing my earrings- my earring kept on flying out in the studio. It went into the dance."; Quotation[37] = "Our consciousness is the evidence and we become the historians---of the past, the present, the future---in as much as we can let ourselves feel."; Quotation[38] = "I remember marches on Washington in the 1980’s – for Gay rights, against the Klan, for the rights of Palestinians to determine their future, in solidarity with the people of El Salvador. I remember chanting, sore feet and the smell of tear gas."; Quotation[39] = "One felt both exposed and included. And so the tensions within the piece were heightened. I felt it."; Quotation[40] = "Knowing that dance is performed and then completed, the idea of trying to capture its essence is questionable. It would be like trying to catch the remains of energy left by the performers."; Quotation[41] = "Feel weird. Bow."; Quotation[42] = "Sleeping through the night costs extra. Yellingwhisperingbelieving costs extra."; Quotation[43] = "I pretend that I’m alone, that I will always be lonely, and that the sensation I used to call melting velvet is like a phantom limb, gone forever."; Quotation[44] = "On weekends, I take my boy, Cody, to his little league, while my wifey takes the little lady, Chastity, to her ballet-tap classes. I own thirty-eight guns."; Quotation[45] = "The fox began to pant. She wondered what the best pet would be. A hermit crab perhaps?"; Quotation[46] = "At night I join my hands in a generic act of prayer lacking rationale, feeling the lack of it, and like a cube of sugar sucking coffee, let images of what I’ve heard about the civil war between the rivers permeate me."; Quotation[47] = "It took an hour and a half. Then I didn’t win the trip to Paris I didn’t actually think I’d win and began thinking about The Secret, which I’d like to forget but can’t because it’s everywhere and has subsequently infiltrated my subconscious."; Quotation[49] = "(An unsatisfactory embodiment of what I intended)"; Quotation[50] = "I’m grappling with the disappointing fact that dance really doesn’t affect some types of change, can’t stand up to some types of violence. Is that true or my own fiction?"; Quotation[51] = "OK OK. So maybe I’m not making my point well(?) enough HERE to make you WRITE differently – but how about THINK differently?"; Quotation[52] = "Clearly no one can approach this moving mass of four violent bodies careening through space (it would be ridiculous to intervene), but no one can turn away either. There is milk in my hand, and a five dollar bill on the counter in front of me."; Quotation[53] = "If the dance world is going to compete with the music world and the film world, they’re going to have to start advertising. I mean that’s just the reality."; Quotation[54] = "Part of the excitement of dance is its polyvalence in the moment, the multiple associations each viewer brings to the performance in dialogue with movement as it happens; kinesthetic empathy, sensory and visual memory, and analysis are all enlivened and brought to the quick."; Quotation[55] = "Maybe allowing ourselves bliss is an act of resistance in a culture encouraging a pervasive feeling of lack as a colonizing tool."; Quotation[56] = "And as a reminder that the changes an artist can affect in another are sometimes best expressed in the rawness of art itself—a form of response which may fit into our (un)raveling notions of public discourse as dance artists."; Quotation[57] = "Call me too German, but I find a hearty argument time well spent."; Quotation[58] = "I realized that I actually like chaos. And I got back to work."; Quotation[59] = "And so, this love child emerges from a Xerox machine: made in the spirit of optimism, transgression and the conviction that, while absent-mindedness often fosters creativity, it is not the fundamental condition of the thinking, observing public."; Quotation[60] = "One last exhortation: Let's stop blaming everything on Cunningham, for heaven's sake, and--if I were you--I wouldn't blame anything on Wilson!"; Quotation[62] = "I want to be around people who remind me that I am evolving and one piece does not define me."; Quotation[63] = "Last-minute, I make the trip back to NY with her and note that on her refrigerator, in a kitchen as familiar to me as my own, is a prayer to prevent falling. Many of my clients express the same fear, in different ways. They tell me their balance is failing."; Quotation[64] = "balance = falling in every direction at the same time"; Quotation[65] = "Unfortunately for me, a prerequisite for joining roller derby is to have some sort of medical insurance."; Quotation[66] = "On the ninth count of rocking with 'OO-WAH' throw yourself onto the floor and QUICKLY and without thinking draw an X then a line from the X, and where that line ends draw another X."; Quotation[67] = "I like how it reminds me of Indiana Jones' note-book and how he always had a rubber band around it. At least I remember it that way."; Quotation[68] = "And then you try to make it better, stronger, longer, easier, more intelligent."; Quotation[69] = "Now as dainty as all possible she stood up and calmly walked off the bus not because she was kicked off, but because she was finished. That's what keeps me going."; Quotation[70] = "...what it boils down to is something quite similar to birdsong."; Quotation[71] = "i am too in tune sometimes. you can't tell for my dancing. it's a lot of façade. strong, arcing, graceful at times, but very fast, quick like my wit, but angular, not how i like to be perceived."; Quotation[72] = "To speak quietly the things it is too shy to say in mixed company. To get all worked up at the pulpit and preach to the choir."; Quotation[73] = "A younger audience, one that has grown up in these conservative times, may not hear the bra screaming, but I do."; Quotation[74] = "'Balls.'I answer. We hover a moment more feeling the pluots"; Quotation[75] = "what we attract to us is more of the same, more heartfelt passion, and nothing you do here can be wrong."; Quotation[76] = "The experience of looking at an image, apprehending and oscillating between meanings not only demands the presence of our physical body, standing, sitting or reclining before it, but calls our sense of our body into question, as we know it through a specular image."; Quotation[77] = "ttle boy blue likes to blow on horns. Little boy blue likes to watch some porn."; Quotation[78] = "Then, before he pens another word, again he writes 'holy' yet another eleven times."; Quotation[79] = "Quoting Annie Sprinkle’s Public Cervix Announcement, I made ten-minute videos of close up, interior views of my mouth and ass hole, held open by a speculum and lit up by a red laser—it’s surprising how much their pink fleshy worlds resemble each other."; Quotation[80] = "She declares that while there isn’t a single ugly girl in the bunch, we certainly aren’t actresses and we need to start practicing seducing the audience.."; Quotation[81] = "I am assuming names, from real people, in fictional circumstances. I am disappearing myself."; Quotation[82] = "And I've been surprised to see, especially since we've actively cultivated significant body diversity in our ensemble, that no matter how different we all seem to be (men/women/trans, old/young, fat/ thin, hairy/smooth, of all colors and abilities), when we get naked the most salient experience is that of our sameness."; Quotation[84] = "My mom told me when I was young that God itself made us horny, God gave us these urges because people are lazy."; Quotation[85] = "So you can imagine my irreverent behavior and often physically contorted responses to their performances on stage as straight-acting men, when not a few hours earlier they were sashaying and hitting it like no other fierce queen could in the dance studio."; Quotation[86] = "The mirror becomes a dressed down version of a time machine through which I speak to a thinner self, a younger self and a childless self."; Quotation[87] = "With bodies expressly for display, the two supercharged Barbie dolls engaged in rapid fire sensual interactions that were the rough equivalent of stuffing your mouth with as much candy as possible and downing it in one gulp."; Quotation[88] = "Protesting Columbus quincentennial celebrations, the performance had audience volunteers kneeling face deep into Bustamante’s crotch, apologizing for their sins, then biting deep into the strap-on burrito she guided down their throats so that the “healing rush” of spurting warm beans could absolve their guilt."; Quotation[89] = "But butches dancing, butches stripping? What were the models for us?."; Quotation[90] = "In the sharing of a central axis, spine, mouth, genitals, face, and anus reveal their interconnectedness and centrality in embodied experience."; Quotation[91] = "She spiraled right up from the floor and out into space, a cyclone directed from its calm inner eye of connectivity."; Quotation[92] = "the song of the ice cream truck gives rhythm to my steps the corn vendor honks as he pedals by"; Quotation[93] = "We all know everything, but forget it in strange chunks. For a moment, we remember the past and wonder where it went."; Quotation[94] = "Are you allowing the circumstances that surround you to discourage and stifle the authentic you? What part of yourself could come roaring back to life, if you'd only let it?"; Quotation[95] = "Before! There's the agony of before, characterized chiefly by waiting and/or procrastination, usually both."; Quotation[96] = "before the twins, and after. before the next dance. before enough joy."; Quotation[97] = "So, then, the accompanying photograph Which I took before Big Sur but after Provincetown Is the event, more than the fire - the lit candle, the cigarette, or the cooked food - that will be"; Quotation[98] = "I have just finished breaking every dish we own and slicing our comforter and pillows with our butcher knife. I could spit bile there is so much anger in me."; Quotation[99] = "In the sharing of a central axis, spine, mouth, genitals, face, and anus reveal their interconnectedness and centrality in embodied experience."; Quotation[100] = "The music can sometimes act as my endless battery, but I can also feel when my agility starts flagging. Lately though, I've been trying to push through and keep dancing longer, and lately closing my eyes to hear in a different way."; Quotation[101] = "I still get a salty smell in my nose when I hear 'I Wanna Rock With You' by Michael Jackson as this song always seemed to be on the transistor radios of my fellow fishermen on the Venice Pier."; Quotation[102] = "Robyn Cutler: for helping me to learn Limon technique and letting me watch your long hair. Bessie Schonberg: for meddling and telling me not to talk so much."; Quotation[103] = "Among the rustling of the crowd (like a rustling of Whitman's leaves of grass) came a silent sound, produced by a set to my right. I looked up to see Heather Cassils clad in an icy environment."; Quotation[104] = "She was always nervous about plane rides. Claustrophobia I guess. She loved Turkish airplanes because you could smoke on them."; Quotation[105] = "When colleagues warned me he was 'difficult', I replied, 'but he's brilliant.' True to reputation at rehearsal only days before the performance he informed me of all the things that were wrong, and how it was to be done."; Quotation[106] = "I love the character's outlaw persistence over time, building his own haphazard Cadillac dream from spare parts, smuggled out of the factory in a lunchbox with the help of a friend; love the story of the long-term vision culminating in the collaborative all-nighter..."; Quotation[107] = " but my body is not your confessional booth and redemption will take you more than ten hail marys because now it is my turn to claim you and question you Where are you from? What are you?"; Quotation[108] = "I ended up doing an introductory speech about trying to get located in the ever unlocatable Los Angeles, and then proceeded to do an improvised dance that I've done a thousand times in other contexts. I'm not sure why I did that, but I just sort of freaked out. All my old tricks were there."; Quotation[109] = "one person lies down, face-up - the group gazes downward observing, waiting."; Quotation[111] = "This effort has a backspace though I feel all frontal, unreal, armed, heady. I am seeking a 3D effort ultimately, a full dimensionality to structure and form, its pulsing movement and density harnessed. It is wait/retreat combined with focus/direction."; Quotation[112] = "I'll call it 'severed head.' This particular state of being is characterized by the feeling that your body is trailing behind your head at all times, only to be felt when some mentally stimulating idea triggers a release of adrenaline. A fine feeling indeed."; Quotation[113] = "I do give her credit for showing up and working hard on her dancing though... and noticed a recent Enquirer headline: 'Bristol to mom: I'm more popular than you.'."; Quotation[114] = "Even though it was a competition structure that we had come up with together, with many random elements, the winner still felt a great validation from being chosen, and the loser was devastated. It ended up being much more than a game."; Quotation[115] = "This excess has a function, and that function is the exercise of a kind of freedom - a freedom to not be reduced to a scheme of conformity, dominance or obedience."; Quotation[116] = "i, for one, can't seem to shake somewhat of a socialist romantic notion of sharing."; Quotation[117] = "I think of myself more as a collaborator than a competitor. That's my general orientation towards life, especially in art making."; Quotation[118] = "Trusting, with soft attention, the movements of the body as it passes under gravity and through time - without judging the imagination that creates a follow-through."; Quotation[119] = "Intellectually I am often disgusted by the very thing that I physically love."; Quotation[120] = "And so it goes. Even though I refuse to kick the ball up the field, I need something outside of myself to run up against. Otherwise, it's just me screaming into the void."; Quotation[121] = "I find myself arguing between following my impulses and studying the rules of a universe with which I am not familiar."; Quotation[122] = "I decide not to play, not to win. To forget the game as it has been taught to me and instead create sustaining movements and actions. No one hit wonders."; Quotation[123] = "I feel all this generative desire in me. Desire to produce, even at the speed of some TV shows (creating something in just an intensive week of rehearsal). Desire to show that dance is not a sport and that we can enjoy an arm moving with consciousness..."; Quotation[124] = "I read some of the cover letters. All of them stress how the applicant is the best-suited person for the job. A lot of them are out of work."; Quotation[125] = "CAs each dancer enters into and traverses the disorienting task, something occurs when the limit is transcended - the familiar in-and-out momentariness of the breakthrough, like perforations in a fabric; stars appear in the dome of sky casting light from the other side."; Quotation[126] = "CGiven chalk or pencils or crayons or even pen, our walls by our beds became tomes of our lives. The joys of spring: (humping) and (teasing). On a soda bottle: YOUR SISSY CHILDREN SAVE THE WORLD FROM YOU! The somatic action can happen in a public context or a private space. Start where you are most comfortable maintaining a connection to your body and set a specific amount of time to allow the action to occur. Make sure on-lookers are doing their job at all times. Sometimes they get feisty and deny their role."; Quotation[127] = "The best days are the days when everyone forgets about going to work. There is too much to do."; Quotation[128] = "Five year break No performing No making dance Edit out seeing dance as much as possible."; Quotation[129] = "On all fours, you buck your back suddenly and then back up. Sitting on you when you do, I fling forward and catch myself on spread palms before face hits floor. Game: Re-frame risk, danger and effort as rest (I think I might fly)."; Quotation[130] = "#occupyFailureToDisperse #occupyFailureToDisperse #occupyFailureToDisperse #occupyWhatTheFuckingTimeIsIt #occupyNapAllDayLong #occupySoreShoulders #occupyDiscomfort #occupyFriends."; Quotation[126] = "In this age of excess, choose to do and produce less; look instead to what already exists and raise the temperature on those masses idling in the corner. Burn the institution to the ground for the love of all of us. Are you willing?"; Quotation[131] = "Does interpretation preclude interrogation? Can there be interpretive interrogation? Interrogative interpretation?"; Quotation[132] = "we drink a six pack. what if the eyes can touch and the hands can see? we learn some lines from iron man, the movie."; Quotation[133] = "Resisting the conformity of linear progression in favor of circumlocutions and digressions; moving through a narrative sideways, diagonally, in retrograde; eschewing the logic of the obvious in favor of the implied and speculative, the ellipsis is poetic, reflexive, performative, queer, ambivalent."; Quotation[134] = "When no laws are broken, are the cops or the state permitted to police morality? Are two women expressing queer love an image which corrupts children?"; Quotation[135] = "Cautionary lore became my bag; I got into it and kept getting into it. It started with The Flying Dutchman (again - forget Disney for goddess' sake) and ended with The Salmon Woman of Deception Pass."; Quotation[136] = "Going up- going down/ no matter- she will go with you and tell you beautiful things, plant in your mind small perfect words that you will carry into your day."; Quotation[137] = "Her next pause is where the bridge meets the edge of the noh stage, a space that is always the same in dimension and character. She pauses there, long enough for us to wonder if she'll ever move again."; Quotation[138] = "this b-side - an act that acts as part of its lyric"; Quotation[139] = "Bird time is short… and 'especially if it's a parakeet…' Her mom would come in parakeet time, I started to say."; //var Q = Quotation.length; //var whichQuotation=Math.round(Math.random()(Q-1)); //function showQuotation(){document.write(Quotation[whichQuotation]);} //showQuotation(); // this function is called everytime the link is clicked, changing the div with id="itchquote" function showQuotationNEW() { var Q = Quotation.length; var whichQuotation=Math.round(Math.random()(Q-1)); document.getElementById("itchquote").innerHTML = Quotation[whichQuotation]; } // this calls it the first time showQuotationNEW();
<B> (2)	Send a check payable to SHOW BOX LA to: c/o Show Box LA 1060 S OGDEN DR #2 Los Angeles, CA 90019 Send a check payable to SHOW BOX LA to: c/o Show Box LA 1060 S OGDEN DR #2 Los Angeles, CA 90019
<I> (3)	itch O R A C L E! itch itch 16

HTML headings and emphasis tags are the most basic forms to indicate important content.

Tips:
1. use your keywords in the headings and make sure the first level heading (<H1>) includes the most important keywords.
2. never duplicate the title tag content in the heading tags.
3. for more effective SEO, use only one <H1> tag per page

Reading Level

49.1

The page text content is a bit too difficult to be read and understood!

Ensure your page content text can be read and understood by most of your site visitors. not too difficult nor too simple.

Tips:
1. a score below 30, indicates the text content is too difficult to be read and understood.
2. a sore above 80, may suggest that the site is lack of in-depth and expertise of its topics (low quality content).
3. an optimal reading level score shall be 50-70.

Language

the website does not declare its language in use.

the detected language is : en

Declare the language in use can help search engine to better understand and rendering your page, especially when special characters are encountered.

Page Encoding

the website does not declare its character encoding.

Declare the character encoding can help search engine to better rendering your page, especially when it comes to
non-asii characters.

Favicon

Excellent! the website has a shortcut favicon image.

RSS

the website does not have a RSS Feed.

Robots.txt

Robots.txt is not presented for the site.

Robots.txt file can be used to regulate access of search engine crawlers, properly configured robots.txt file can help
crawlers to better understand your website.

Tips:
1. grand robots access to those pages you wish them to crawl.
2. restrict access to those pages you do not wish search engines to see and crawl.

XML Sitemap

XML Sitemap is not presented for the site.
[ To generate XML sitemap, Use this XML Sitemap Generator ]

Sitemap helps search engine crawler to identify your website pages.

Tips:
1. ensure all your important pages are listed in the sitemap.
2. ensure to indicate the frequency of change and importance of each url.
3. inform search engines of the location/URL of your sitemap (eg, For Google, you can set the website sitemap location through Google Webmaster management panel).

Loading Time

0.49 seconds - 66.38 Kb/s

Excellent! the site is pretty fast and it takes less than 1 second to load.

Estimated loading time for different internet connections
Modem (56Kbits/s)	Mobile/HSDPAM (7.2Mbits/s)	ADSL (8Mbits/s)	Cable (30Mbits/s)	Optical Fibre (100Mbits/s)
4.65 s	0.04 s	0.03 s	0.01 s	2.60 ms

Site speed is becoming an crucial ranking factor. Slow page loading is one of the biggest complains of web users. If the loading time is too long, you may need to check your server, network, or system codes and structure.

Tips:
1. ideal loading time is less than 1 seconds, if it take more than 5 seconds to load your site, likely users will run out of patience, so do search engines.
2. improve your SEO by optimizing your website to have a small size and faster responding server.

Total Size

33 Kb (32,524 bytes)

Excellent! the page size is just nice, that is within 30K-150K!

Page size affects the speed of your website.

Tips:
1. try to keep you page size between 30K-150K
2. put javascript and style sheet in separate files, and link them to the main page.
3. use optimized images for web and set up your server with gzip for downloading

Text To Code Ratio

Total Size	Text Size	HTML Code Size	Text/HTML Code Ratio
33 Kb (32,524 bytes)	40 Kb (40,183 bytes)	-8 Kb (-7,659 bytes)	0 %

The Text/HTML Code Ratio is a bit too low, you may not have enough content to rank well!

the ratio of text to HTML code should always be above 15% for good SEO gain,
it is below 15% then that means that your website probably needs more text content.

Tips:
1. a ratio between 25% and 70% is ideal, when it goes beyond than that, the page might run the risk of being considered as spam. As long as the content is relevant and gives essential information, it is a plus point to have more of it.
2. improve your SEO by adding more relevant text to your pages and also increasing your keyword density.

Flash

Excellent! No flash component is detected on this page.

Flash content can not be properly indexed by search engines, and normally flash file is large in size, which slow down the loading of your page.

Tips:
1. avoid flash content whenever possible if you wish to have a fast and SEO friendly website.

Frame

Excellent! No frame is detected on this page.

Framesets and individual frames could cause problem for search engine to crawl your pages

Tips:
1. avoid frames whenever possible.
2. search engines do not like frames.
3. use iframe instead if you really have no choice.

Inline CSS

Excellent! No Inline CSS is detected on this page.

It is a good practice to move inline CSS rules into an external CSS file in order to make your page lighter and increasing the text to code ratio.

Tips:
1. move inline css rules to external css file.
2. separate style from html.

Nested Table

Excellent! No nested table is detected on this page (nested table : 0, total table : 0)

nested tables could slow down page rendering and lead to bad user experience.

Tips:
1. avoiding <table> for your page layout.
2. using <div> instead of <table>.

Plain Text Email

2 Email Addresses (i***@showboxla.org, i***@showboxla.org) were detected on this page.

Redirect Count

Excellent! No redirection is detected for loading this page.

Using HTTPS

Excellent! HTTPS is used for your page.

WWW Resolve

the websites http://www.itchjournal.org and http://itchjournal.org DOES NOT resolved to the same url.

Search Engines treat URLs with or without "www" as two different records.

Tips:
1. edit your .htaccess file and permanently redirect one to the other (eg redirect www.mysite.com to mysite.com).

IP Canonicalization

IP address of the site http://184.168.98.0 is forwarded to http://184.168.98.0/, instead of to its domain name site itchjournal.org.

URL Rewrite

Excellent! your urls are clean.

clean, short and relevant URLs are favoured by users and search engines

Tips:
1. use url rewrite to turn dynamic pages with query parameters into seo friendly static pages.
2. put your important keywords in the url.
3. good urls are not only user friendly but also seo friendly.

Underscore In URL

Excellent! your do not use underscore in your URLs.

Search Engines treat hyphen as word separator, they do not treat underscore as word separator.

Tips:
1. use hyphen "-" instead of underscore "_" to optimize your page url.
2. help search engines to better understand your url, eventually will benefit your page`s ranking.

Links

Internal Links (link to pages within this domain)	External Links (link to pages on other websites)	Total
23	9	32

Excellent! the number of links are less than 100.

Internal Links (link to pages within this domain) - 23
URL	Anchor Text
http://itchjournal.org/#home	Oracle
http://itchjournal.org/#about	About
http://itchjournal.org/#bios	Bios
http://itchjournal.org/#news	News
http://itchjournal.org/#get	Get
http://itchjournal.org/#give	Give
http://itchjournal.org/#contact	Contact
http://itchjournal.org/#15	15
http://itchjournal.org/#14	14
http://itchjournal.org/#13	13
http://itchjournal.org/#12	12
http://itchjournal.org/#11	11
http://itchjournal.org/#10	10
http://itchjournal.org/#09	09
http://itchjournal.org/#08	08
http://itchjournal.org/#07	07
http://itchjournal.org/#06	06
http://itchjournal.org/#05	05
http://itchjournal.org/#04	04
http://itchjournal.org/#03	03
http://itchjournal.org/#02	02
http://itchjournal.org/#01	01
http://itchjournal.org/#	itch O R A C L E!

External Links (link to pages on other websites) - 9
URL	Anchor Text
http://www.ariannehoffmann.com	www.ariannehoffmann.com
http://www.taishapaggett.net	www.taishapaggett.net
http://www.dancemegwolfe.blogspot.com	www.dancemegwolfe.blogspot.com
http://www.tanyarubbak.com	www.tanyarubbak.com
http://blog.art21.org/2013/0...eles-art-book-fair/#.UnbM_BZnfkM	review
http://www.showboxla.org	www.showboxla.org
http://www.facebook.com/prof...le.php?id=1497218770&ref=tn_tnmn	Facebook
https://www.networkforgood.o...sDonation.aspx?ORGID2=27-1851575
http://www.showboxla.org	www.showboxla.org

reasonable number of links (below 100) per page will give a better user experience.

Tips:
1. keep the number of links per page below 100.
2. having more than 100 links in a single page will lead to a bad user experience, and it possibly runs into the risk of been considered as spam.
3. search engines may not follow all the links if you have too many of them in a single page.

Images

Total Images	Alt Present	Alt Missing
50	0	50

Alt values are missing for all the images (50), it will be hard for search engines to include your site for image searches!

Image URL - 50
URL	ALT Text
http://itchjournal.org/images/itch1.gif
http://itchjournal.org/images/button6.gif
http://itchjournal.org/images/donatenowlogo2.png
http://itchjournal.org/images/dca.jpg
http://itchjournal.org/images/lacac.jpg
https://www.paypalobjects.com/en_US/i/scr/pixel.gif
https://www.paypalobjects.com/en_US/i/scr/pixel.gif
https://www.paypalobjects.com/en_US/i/scr/pixel.gif
https://www.paypalobjects.com/en_US/i/scr/pixel.gif
https://www.paypalobjects.com/en_US/i/scr/pixel.gif
https://www.paypalobjects.com/en_US/i/scr/pixel.gif
https://www.paypalobjects.com/en_US/i/scr/pixel.gif
https://www.paypalobjects.com/en_US/i/scr/pixel.gif
https://www.paypalobjects.com/en_US/i/scr/pixel.gif
https://www.paypalobjects.com/en_US/i/scr/pixel.gif
https://www.paypalobjects.com/en_US/i/scr/pixel.gif
https://www.paypalobjects.com/en_US/i/scr/pixel.gif
https://www.paypalobjects.com/en_US/i/scr/pixel.gif
https://www.paypalobjects.com/en_US/i/scr/pixel.gif
https://www.paypalobjects.com/en_US/i/scr/pixel.gif
http://itchjournal.org/images/15image.png
http://itchjournal.org/images/15.jpg
http://itchjournal.org/images/14image.jpg
http://itchjournal.org/images/14.jpg
http://itchjournal.org/images/13image.jpg
http://itchjournal.org/images/13.jpg
http://itchjournal.org/images/12image.jpg
http://itchjournal.org/images/12.jpg
http://itchjournal.org/images/11image.jpg
http://itchjournal.org/images/11.jpg
http://itchjournal.org/images/10image.jpg
http://itchjournal.org/images/10.jpg
http://itchjournal.org/images/09image.jpg
http://itchjournal.org/images/9.jpg
http://itchjournal.org/images/8image.jpg
http://itchjournal.org/images/8.jpg
http://itchjournal.org/images/7image1.jpg
http://itchjournal.org/images/7.jpg
http://itchjournal.org/images/6image1.jpg
http://itchjournal.org/images/6.jpg
http://itchjournal.org/images/5image.jpg
http://itchjournal.org/images/5.jpg
http://itchjournal.org/images/4image.jpg
http://itchjournal.org/images/4.jpg
http://itchjournal.org/images/3image.jpg
http://itchjournal.org/images/3.jpg
http://itchjournal.org/images/2image1.jpg
http://itchjournal.org/images/2.jpg
http://itchjournal.org/images/1image.gif
http://itchjournal.org/images/1.jpg

search engines cannot `see` images, proper Alt content will help them to better understand and index images.

Tips:
1. always add alt attributes to images. Alt is mandatory for accessibility and for valid XHTML.
2. words used within an image`s Alt attribute should be its text equivalent and convey the same information.
3. use a human-readable caption and descriptive text around the image.

CSS

Style Block In Same Page	Links to External Style Files	Total
1	1	2

You have 1 style blocks in the same file, try to put them in a separate file.

Links To External Stylesheet Files - 1
Stylesheet URL	rel	type
http://itchjournal.org/itch.css	stylesheet	text/css

Script

Scripts Block In Same Page	Links to External Script Files	Total
7	3	10

You have 7 script blocks in the same file, try to put them in a separate file.

Links To External Script Files - 3
Script URL	Type
http://itchjournal.org/scripts/jquery.js	text/javascript
http://itchjournal.org/js/jquery.js
http://itchjournal.org/js/itch.js	text/javascript

put scripts together and link them from an external files rather then put them in the same file as the main page.

Tips:
1. reduce the use of in-page scripts, put them in separate files and link them in.
2. reduce the number of external script files, it will help browser to make lesser number of http requests from the server.
3. optimize or compress the script files to have smaller size and faster loading.

Blog Or News Release

Link to Blog / News Release Page
http://www.dancemegwolfe.blogspot.com	www.dancemegwolfe.blogspot.com

Excellent! we have found blog linked to your site.

Having a blog is a great way to provide fresh content and retain users, search engines favour it too.

Tips:
1. regularly update your blog and provide fresh and quality content.
2. relevant blogs of your website topics, generate more credits in the eyes of your visitors, as well as search engines.

DMOZ Listing

No

Your site is not listed in the DMOZ Open Directory. DMOZ Open Directory Project

Google Analytics

Analytics Service is not implemented for the site.

Social Media Integration

Good! your site is integrated with social media.

Facebook Page	...ttp://www.facebook.com/profile.php?id=1497218770&ref=tn_tnmn
Twitter Account	Not Found
Google+ Page	Not Found

Trustworthiness

0

No Trustworthiness Score is calculated for the site.

0 - 19	20 - 39	40 - 59	60 - 79	80 - 100
0
Very Poor	Poor	Unsatisfactory	Good	Excellent

Users are concerned about the safety of their online transactions. Trustworthiness rating is based on real user ratings and that tells you how much other users trust this site, so do the serch engines. note: this trustworthiness score is provided by WOT (Web of Trust).

Tips:
1. pay attention to the look and design of your site, many people look for visual cues when assessing a site`s credibility
2. make your site easy to use, sites that are easy to navigate are perceived as being more trustworthy.
3. make it easy for user to contact you, users will be more comfortable and feel more secured shall they need to get in touch with you.

Child Safe

0 No Child Safe Score is calculated for the site.

0 - 19	20 - 39	40 - 59	60 - 79	80 - 100
0
Very Poor	Poor	Unsatisfactory	Good	Excellent

Safe Browsing

Safe! the site itchjournal.org is NOT currently listed as suspicious, most-likely it is clean from malware and phining code [ verify this by Google Safe Browsing ]

Ensure that your site is malware free and does not cause harm to users` computers.

Tips:
1. do not put virus, malicious worms, adwares, trojans, spywares and suspicious phishing code in your server.
2. take suspicious behaviours seriously, have a regular check-up and monitor closely of your server`s log files.
3. if your site is black-listed by Google as suspicious, clean it up before requesting for a review.

Traffic Rank

Your site is not among the most visited 1 million websites in the world.

Websites On Same Server

Excellent! You do have very few domains (4 - website.show, leniva3d.com, beachstonearoma.com, arkitechno.com) hosted on the same server as itchjournal.org (ip : 184.168.98.0).

Too many domains hosted on the same server is an indicator that you are not really serious about your website, and your site will have a higher chance to be surrounded by bad neighbours.

Tips:
1. the fewer domains hosted on the same server/ip the better.
2. avoid shared hosting whenever possible, especially when there are already hundreds or thousands of sites are hosted on the same server.
3. dedicated ip or resources for your site not only do good to your site visitors but also favoured by search engines.

Server Location

your server (IP : 184.168.98.0) is located at United States

ensure your server is not located far away from most of your site visitors.

HTTP Compression

No

your website server does not support HTTP Compression.

Caching

No

your website server does not support Caching.

Server Signature

Excellent! the website server signature is off.

A secure and safe server is not only good for your site visitors but also good for search engines.

Tips:
1. server software version information can be utilized by malicious visitors to attack your server.
2. by turning off the server signature, you actually have made your server a little bit more secure.
3. for Apache server - edit the apache2.conf or the .htaccess file to turn server signature off.

Domain Age

18 years, 273 days old ( 1st registered on : 2006-04-12 )

[ To check the detailed whois info, Use this Whois Lookup Tool ]

excellent, the domain age is old enough.

Domain Expires

0 years, 328 days from today ( expires on : 2025-12-04 )

[ To check the detailed whois info, Use this Whois Lookup Tool ]

domain is expiring in less than a year.

Domain Info

itchjournal.org ( 15 characters )

Domain Registrar : Public Interest Registry

[ To check the detailed whois info, Use this Whois Lookup Tool ]

Domain Created On	Last Modified On	Expires On
2006-04-12	2024-11-10	2025-12-04
18 years, 273 days old	0 years, 60 days ago	0 years, 328 days from today

18 years, 273 days old

Domain Name Servers used by itchjournal.org
DNS Name	IP Address
ns19.domaincontrol.com	97.74.109.10
ns20.domaincontrol.com	173.201.77.10

Domain is going to expire in less than a year time (0 years, 328 days from today), try to renew it for more than one year!

domain name choice and domain age are crucial for SEO.

Tips:
1. keep the domain name short and relevant to the content, which will be easier to be remembered and related to.
2. older domain tends to be more trustworthy.
3. register a domain for more than 1 year, and search engine will think it is a serious business.

itchjournal.org

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